Opposite of Music

hands across the sea Resting one hand on the corner mailbox, I balance different ways on my bike. A stream of cars goes by before I see the school bus. Our town has changed in the last five years. Some of the new kids from other places think they're too upscale for Hawthorne. When I tell Mom this, she thinks I'm misinterpreting the signals. She says I should be attuned to regional differences, that in other parts of the country people have different ways of approaching one another and making new friends. She says I should think of myself as an anthropologist, studying various subcultures of the United States and never forming a value judgment that says my way is better. But I think that if someone sits next to you in class for three weeks and never says anything, the message isn't regional boundaries. The message is they don't want to know you. Gordy is the big exception. When I wave to the bus driver, Gordy hops down the steps with his jacket over his shoulder, his backpack and music case in the other hand. I don't have much planned. We're going to practice for a vocabulary test, but that won't take long. "So that's your bike," he says. "Want to ride it? I could carry your stuff." "No, thanks." I like to watch and evaluate the new people who come into town. I've been watching Gordy. In my eyes he is royalty. He is always in his element. He absorbs goings-on without alarm. His hair is always exactly the same length, as if he gets it cut every Tuesday and Thursday. I like to look for people to admire. Otherwise, how will you know who to become? While Gordy is outstanding in the good sense of the word, I sometimes wonder whether I stand out in the bad sense. My arms and legs seem to grow longer every week, and I am starting to suspect that I may bob up and down excessively when I walk. I say this because a few days ago there was an incident in which I was passing a group of new kids on my way to class and without saying anything they all started bobbing, as if on a prearranged signal. And some of the kids have started calling me Bob. I wonder what Gordy will think of the house. Our front door is bright orange, with a brass door knocker in the shape of a salamander. On the door we have an artist's palette dotted with hard, shiny puddles of tint, which my sister Linda made from wood scraps. She also painted our name and house number -- Morrison 32 -- in medieval letters on a white rock at the foot of the driveway. Members of my family try hard to be distinctive. Dad's Neon is in the driveway. The palette clatters when I open the door. "Hey, Dad?" I call. "What are you doing home?" Mom is still out. It's two-thirty and she usually doesn't get home from work until four. But Dad doesn't come to the door as he normally would if I brought someone home. We hear his footsteps at the far end of the house. "Dad," I say again. Then I see him go by, looking straight ahead, like he needs something from the other end of the house. He's rubbing his hands and whistling between his lower teeth. "Hi, Mr. Morrison," Gordy says. Dad sees us but doesn't acknowledge us in any way. Gordy and I have stopped within two feet of the door. Something tells me not to go farther. Lately Dad has seemed worried. But he looks even worse than when we left him this morning. I realize, without entirely knowing what it means, that he probably never left for work. "Dad, I'm home. Gordy's here." Dad passes by again. The whistling is not like he's enjoying whistling but like he has to whistle. I don't detect a tune. "I'm sorry, Gord, I guess my father isn't -- " Gordy steps into the living room, into the square of white couches and chairs Mom calls the conversation area. "Mr. Morrison, did you lose something?" Dad doesn't acknowledge him. "I can help you look. You know," Gordy continues, "sometimes when you lose something, you keep looking in the same plYoung, Janet Ruth is the author of 'Opposite of Music ', published 2007 under ISBN 9781416900405 and ISBN 1416900403.