America First Naming the Nation in Us Film

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global regard, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly "American". From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, Jon Landis and Edward James Olmos have made their own contributions to Hollywood's Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as 'An American Werewolf in London', 'American Pie', 'American History X' and many more. Contributors include: Pam Cook, Ana María Dopico, Peter William Evans, William Handley, Rembert Hüser, Barry Langford, Esther Leslie, H.N. Lukes, Mandy Merck, Diane Negra, Paul Smith, Eric Smoodin, Kristin Whissel and Sharon Willis. Mandy Merck is Professor of Media Arts at Royal Holloway, University of London. She is the author of Perversions: Deviant Readings (1993), In Your Face: Nine Sexual Studies (2000) and A Place in the Sun (forthcoming 2007). She is editor of After Diana (1998) and co-editor of Coming Out of Feminism? (1998) and The Art of Tracey Emin (2002). Film Studies/American Studies/Media StudiesMerck, Mandy is the author of 'America First Naming the Nation in Us Film', published 2007 under ISBN 9780415374965 and ISBN 0415374960.